Tag Archive for: Jocelyn Watts

Home Is Where the Heart Is, But Where Is Home?

WHILE sorting through some of my mother’s belongings recently, I found a small piece of my childhood. It was a wall hanging I’d made when I was about 10: a piece of mustard-yellow cloth, a white heart stitched into the centre and the words Home is where the heart is.

It was hardly a masterpiece. But for years it hung on the lounge-room wall of the old workers cottage where I grew up in Barcaldine, a house that had been moved to town from the Pine Hill/Bogantungan area in 1886 as the railway pushed west from Rockhampton. It was already carrying plenty of stories before our family added its own.

At some point, long after I’d left home, my little cross-stitch disappeared. I hadn’t thought about it in years. Then, there it was again among Mum’s things, preserved for reasons she probably never thought necessary to explain.

And suddenly those simple words seemed much less simple.

Childhood cross-stitch reading “Home is where the heart is” on mustard-coloured fabric.

A childhood cross-stitch I made at about 10, recently rediscovered among Mum’s belongings.

I have lived in 15 houses so far. There were moves associated with my late husband’s work, moves dictated by circumstance and others made by choice. Each time, belongings were packed into boxes, transported somewhere else and unpacked into another collection of rooms.

Perhaps that is why I’ve tended to think of houses as simply bricks and mortar rather than something to become too attached to. Give me somewhere to put my books, photographs and familiar things, and I’ve generally believed I could make a home almost anywhere.

I started practising early. As a child, I built cubby houses; some rather more structurally questionable than others. A few involved digging holes in the ground and putting sheets of corrugated iron across the top. Building regulations were apparently fairly relaxed in my corner of Queensland in those days, particularly when the developer was 10.

Since then, my definition of temporary accommodation has broadened considerably.

I’ve house-sat in other people’s homes and spent extended periods camping, when canvas walls and a zippered doorway marked the boundary between home and the outside world. I’ve slept in ship’s cabins and train sleepers, motels and hotels. More recently, Airbnbs in places as different as Toowoomba and Japan have briefly become home base.

Somewhere along the way, I came to believe that home was something we carried with us. I still believe that, mostly.

Moving frequently has scattered my memories across a surprisingly wide map. Certain houses belong to certain stages of family life. Friends and neighbours belong to particular towns. A kitchen can remind me of one period, a garden of another. There is no single building that contains the full story of my adult life.

But the older I get, the more I think there is another side to that childhood saying. Home may be where the heart is, but the heart needs somewhere safe to call home.

There is enormous security in knowing the place where you sleep tonight will still be yours tomorrow. Home ownership, when it is achievable, offers more than an asset on a balance sheet. It can provide stability, autonomy and the freedom to shape a place around the way you live.

Perhaps we don’t fully appreciate that security until we consider how easily it can disappear.

My younger brother, Harry, has worked in homeless shelters and has seen people arrive there whose lives had once appeared perfectly secure. Homelessness is not always the culmination of years of disadvantage. Sometimes life simply turns with frightening speed.

An accident. A head injury. An illness. A job lost because someone can no longer work. Mortgage or rent payments fall behind. Then what?

Harry has often talked about the importance of family in those moments. Someone with people around them may have a spare room to retreat to, a couch to sleep on, help navigating paperwork, or simply someone prepared to say, Come here until we work this out.

For people without that network, the same crisis can have a very different ending. It makes me think differently about community, too.

We tend to talk about homes as individual possessions: my house, my unit, my property. Yet none of us really lives within four walls alone. We live in streets, apartment buildings, townhouse complexes, neighbourhoods, towns and communities. The quality of those connections matters.

Perhaps creating better homes, then, isn’t only about designing beautiful interiors, although I remain firmly in favour of comfortable chairs, good lighting and a splash of colour. Even simple changes can make everyday surroundings more enjoyable, as these resort-style coastal apartment ideas demonstrate.

It is also about creating communities in which people can afford to stay. Housing that is secure, appropriate and within reach at different stages of life. Neighbourhoods where people know one another well enough to notice when something is wrong. Families and friendships we

“Home is where the heart is” — a childhood cross-stitch I made at about 10, recently rediscovered among Mum’s belongings.

continue to nurture even when distance separates us.

And perhaps it means recognising that a home doesn’t need to be grand to be precious.

The old cottage of my childhood certainly wasn’t grand. Nor was the little mustard-yellow cross-stitch that hung on its lounge-room wall. Yet more than half a century later, Mum had kept it. Now it has come home with me.

I suspect I’ll hang it again, not because it suits any particular decorating scheme, but because somewhere between that old cottage and the 14 houses that followed it, those rather wonky childhood stitches acquired a meaning their 10-year-old maker couldn’t possibly have understood.

Home is where the heart is. But perhaps home is also where we feel safe enough to put down our bags, close the door and know that, for tonight at least, we belong.

 

Creations from her art and soul

By Jennifer Champan, first published in the Fraser Coast Chronicle, 2010Jocelyn - Artist

Jocelyn, your next-door neighbour, is an accomplished artist and photographer. Yet she is so modest that many people on the Fraser Coast would never have known.

That is, until friends persuaded her to share her talents with the wider community.

Photojournalist Jocelyn Watts received her first camera, a Box Brownie, when she was about 11 years old. Soon after, she won her first prize at a regional photography show.

Since then, she has rarely put a camera down.

“For me, photography is about capturing moments in time,” says the Maryborough resident of 18 years.

“That includes the ever-changing light in landscapes, fleeting moments in sport, family gatherings and social events; things that happen too quickly for an artist’s brush to capture.

“A camera lens can also block out distractions and focus on patterns, shapes and colours, as in macrophotography, revealing details the naked eye might otherwise miss.”

Jocelyn enjoys photographing travel experiences, sport, people, nature, landscapes and architecture.

She has always used Canon equipment and recently upgraded to a Canon EOS 5D Mark II with a 17–40mm EF wide-angle lens.

Jocelyn belongs to both the Hervey Bay Photography Club and the Australian Photographic Society.

“My goal is to keep improving and create the best images I can. If a travel company wanted to pay my expenses so I could travel, write and take photographs, I certainly wouldn’t argue,” she laughs.

“But realistically, I’d love to exhibit my work one day or publish a coffee table book or calendar. Winning a few more awards along the way would be a bonus.”

She has already collected an impressive list of honours.

In 2009, she won the Hervey Bay Photography Club’s Colour Print of the Year award.

In 2003, she dominated the Australian Photographic Society B9 Print Folio Awards, taking five first places in Open Print categories.

Between 1998 and 2009, she also won four first prizes at the Fraser Coast Show.

Earlier, in 1999, she claimed the Queensland Country Press Association’s Sport Photo of the Year title.

Her work has also attracted international recognition through the prestigious Black and White Spider Awards.

Jocelyn may have inherited her creative flair from her father, an internationally awarded photographer who first placed that treasured Box Brownie in her hands.

Beyond Photography: The Artist Next Door

Photography is only one side of Jocelyn’s creative life.

“I’ve always drawn, sketched or dabbled in some form of art or craft. Art wasn’t offered at the outback school I attended, but soon after leaving school I enrolled in an oil painting workshop at the town’s cultural centre, which my parents helped establish.

“During the 1980s, I designed motifs that I machine-appliquéd onto T-shirts, tops and cloth nappies.

“After moving to Maryborough in the early 1990s, I worked part-time and spent my spare hours painting again, this time experimenting with pastels and acrylics as well as oils.”

Jocelyn describes her artistic style as realism, although she hopes to move more towards impressionism.

“I’d probably make a great counterfeiter if I wanted to earn a few dollars on the black market,” she jokes. “Seriously, though, reproductions could become a speciality.”

At the time of publication, Jocelyn had not yet held a solo exhibition of either her artwork or photography, but she hoped that opportunity would not be far away.


Editor’s Note: Jocelyn held her first photography exhibition, Ex Post Facto Collection, at Gatakers Artspace in Maryborough, Queensland, in July 2019.

Jocelyn Honoured in the Black and White Spider Awards

Fraser Coast photographer Jocelyn Watts received international recognition in the prestigious 9th Annual Black and White Spider Awards, earning a Nominee Award in the Abstract Photography category.

The Black and White Spider Awards are regarded as one of the world’s leading competitions dedicated exclusively to black and white photography. Each year, professional and amateur photographers from around the globe submit thousands of entries, with winners and nominees selected by an international panel of industry experts.

Jocelyn’s nominated image, Eco Fire, stood out among more than 8,500 entries from 73 countries.

The annual awards presentation culminated in an online PhotoShow gala, where photography enthusiasts from around the world logged in to celebrate the year’s most outstanding images.

According to awards creative director Basil O’Brien, the standard of entries was exceptionally high.

“It is an incredible achievement to be selected among the best from the 8,508 entries from 73 countries that we received this year.”

O’Brien described Eco Fire as an exceptional image and congratulated Jocelyn on receiving the title of Nominee in the Abstract category.

The recognition followed earlier success in the competition. In the previous year’s Black and White Spider Awards, Jocelyn received two Nominee Awards: Sensual in the Abstract category and Flying on Cloud 9 in the Fine Art category.

Black and white photograph of a swimmer emerging through dramatic clouds creating a dreamlike effect.

Water, light and imagination merge in Flying on Cloud 9, a fine art photograph that gained international recognition.

About the Black and White Spider Awards

The awards celebrate excellence in black and white photography and attract entries from photographers across the world. The competition recognises outstanding work in categories ranging from abstract and fine art photography to portraiture, architecture and photojournalism.

An international jury drawn from leading museums, galleries and photographic organisations selects the winning and nominated images each year, making the awards one of the most respected honours in black and white photography.

Originally announced by the Black and White Spider Awards, Los Angeles, 11 November 2014.


Editor’s Note: Since receiving this recognition, Jocelyn has continued exhibiting and publishing her photography, including her first solo exhibition, Ex Post Facto Collection, at Gatakers Artspace in Maryborough in 2019.